Broadsheet is a proud media partner of Museum of Contemporary Arts.

Broadsheet is a proud media partner of Museum of Contemporary Arts.
Learn more about partner content on Broadsheet.

Trevor Paglen, Rainbow (Corpus: Omens and Portents) Adversarially Evolved Hallucinations, 2017, installation view, Data Dreams: Art and AI, Museum of Contemporary Art Australia, Sydney, 2025, dye sublimation print on aluminium, image courtesy the artist
Angie Abdilla, Meditation on Country, 2024, installation view, Data Dreams: Art and AI, Museum of Contemporary Art Australia, Sydney, 2025, single-channel video, colour, sound, image courtesy the artist and Museum of Contemporary Art Australia
Agnieszka Kurant, Conversions 5, 2023/2025, installation view, Data Dreams: Art and AI, Museum of Contemporary Art Australia, Sydney, 2025, liquid crystal ink on copper plate, custom AI programming, heat sinks, Peltier elements, wooden frame
Christopher Kulendran Thomas, The Finesse, 2022, in collaboration with Annika Kuhlmann, installation view, Data Dreams: Art and AI, Museum of Contempoary Art Australia, Sydney, 2025. Image courtesy the artist and Museum of Contemporary Art Australia
Kate Crawford and Vladan Joler, Anatomy of an AI System (detail), 2018, installation view, Data Dreams: Art and AI, Museum of Contemporary Art Australia, Sydney, 2025, digital print on lightbox, mineral samples, dissected Amazon Echo device
Agnieszka Kurant, Chemical Garden, 2021/2025, sodium silicate; salts of copper, nickel, cobalt, chromium, manganese, iron and zinc; glass.
Lynn Hershman Leeson, Cyborgian Rhapsody – Immortality (still), 2023, digital video, 11:48 minutes. Courtesy of the artist; Altman Siegel, San Francisco; and Hoffman Donahue, Los Angeles and New York. © Hotwire Productions LLC
Data Dreams: Art and AI artists and curators (left to right) Tim Riley Walsh, Christopher Kulendran Thomas, Jane Devery, Fabien Giraud, Kate Crawford, Agnieszka Kurant, Anna Davis, Angie Abdilla and Vladan Joler
Fabien Giraud, The Feral – Epoch 1 (still), 2025–ongoing; Courtesy Fabien Giraud
Data Dreams: Art and AI curators (left to right) Anna Davis, Tim Riley Walsh and Jane Devery

Data Dreams: Art and AI at MCA Australia

Art

Fri Nov 21, 2025 – Mon Apr 27, 2026

Museum of Contemporary Art Australia

10am–5pm daily (closed Tuesdays); Open late, Thursdays until 9pm

Price: Varies (free for MCA Members and under 18)

Learn More
What happens when machines start dreaming? This landmark MCA exhibition has the answer.

 What does artificial intelligence see when it closes its eyes? It’s a strange question to ask, but it’s exactly the kind of inquiry driving Data Dreams: Art and AI, one of Museum of Contemporary Art Australia’s latest exhibitions and part of the Sydney International Art Series 2025–2026.

The first of its kind staged by a major Australian institution, Data Dreams brings together 10 visionary artists from around the world to explore AI’s profound impact on contemporary life through immersive installations, hallucinatory images and mind-expanding sculptures. It’s less Silicon Valley techno-optimism, more critical examination of the systems reshaping our reality now.

German artist Hito Steyerl’s sprawling video installation Mechanical Kurds examines surveillance, AI-mediated representation and digital labour in conflict zones, blending documentary footage with AI-generated imagery and sculptures of digital forms. Meanwhile, Palawa Trawlwoolway artist Angie Abdilla’s Meditation on Country brings Indigenous knowledge systems into dialogue with Western astrophysics, and French artist Fabien Giraud premieres The Feral, described as a 1000-year-long film shot and edited entirely by artificial intelligence.

There’s a question lurking beneath Data Dreams that every visitor will have to answer for themselves. It’s not just about how artists are responding to our technological moment, but whether the artistic response can help us navigate what’s coming. The exhibition doesn’t shy away from uncomfortable truths, exploring themes including algorithmic bias, the environmental cost of data centres, and the hidden human labour behind supposedly intelligent systems.

Elsewhere, Korean-born artist Anicka Yi looks beyond human intelligence entirely with her Radiolaria series, luminous suspended sculptures that undulate like deep-sea creatures, while Kate Crawford and Vladan Joler’s Anatomy of an AI System traces the raw materials and infrastructure required to fabricate and dispose of “smart” devices.

Tickets can be purchased here – entry is free for MCA members and anyone under 18. Head to the official website for more details.

This article was produced by Broadsheet in partnership with the Museum of Contemporary Art Australia. Exclusive to Sydney, Data Dreams: Art and AI is supported by the NSW Government through Destination NSW.

· Published on 28 Nov 2025

Broadsheet is a proud media partner of Museum of Contemporary Arts.

Broadsheet is a proud media partner of Museum of Contemporary Arts.
Learn more about partner content on Broadsheet.