It was an old photograph of a Moroccan woman that inspired an entire collection for Marina Afonina’s fashion label, Albus Lumen. Afonina has recently attracted attention with her luxury resort wear. Each collection starts with a story or an image, which is then filled in with shapes, tones and fabrics that slot like pieces into a puzzle.

“I design as a stylist: I need to think of a theme,” says Afonina. “Everyone creates differently, but I need to create a story. And I want to have all the colours and locations to work with the story. I come up with a different country as the idea, then everything else comes into place.”

Collecting pieces from Albus Lumen can feel like collecting books; putting on each garment is like being transported to different locations – from Morocco to Greece. It’s one of the few local labels to lead the resort-wear category, but even though the clothes all have an element of freshness and breeze about them, there’s also an undercurrent of nostalgia – like looking at an old photograph.

The timelessness and universality of Afonina’s designs has likely contributed to the label’s quick success. Founded in Sydney in November 2015, the label debuted at Sydney Fashion Week just six months later in May 2016, and was picked up by British luxury retailer Matches Fashion straight away. Since then, Albus Lumen has secured online retailer Net-A-Porter, done several more fashion weeks and, just last month, won one of the fashion industry’s most prestigious awards: the Best Emerging Designer Award at the Australian Fashion Laureate. The label was also selected to compete in the 2018/2019 International Woolmark Prize global final in London next year.

Talking about how it felt to win the Australian Laureate award, Afonina is excited, but humble. “It definitely was exciting to win,” she says. “It’s funny to see just how prestigious it is. That win drew a lot of attention. It’s really being recognised by the fashion industry. It’s a bit surreal.”

After graduating from a degree in commerce, Afonina started out as an intern at Harper’s Bazaar at age 25. Within six years, she was the magazine’s fashion editor.

“From the beginning I wanted to be a designer, but for me it started with styling and grew from there,” she says. “I think it’s for the best. I learnt a lot about the business, which is very helpful.”

What finally pushed Afonina into design was a trip to Europe. Rather than what she discovered there, she was inspired by what was missing.

“I went to Europe for holidays and I couldn’t find anything for myself to wear, and that was when I knew I wanted to create a resort-wear brand,” she says. “The first collection was very simple: we had 15 looks and we had basics for people that wanted to take their wardrobe from home to work. Something that wasn’t too frilly, wasn’t too printed, just very minimal.”

Albus Lumen started with a fine yet minimal selection of linens and silks in a milky, fresh palette of neutrals. Over the years, it has expanded to incorporate other natural fibres (“we don’t do synthetic”) such as wool, more tailored elements and more colour. For instance, the autumn/winter 2018 collection – inspired by the ceramic tiles of Pablo Picasso and the personal style of his daughter, Paloma – travels from midnight-black jersey dresses, to sky-blue cotton-gauze pants, with thoughtful details such as leopard-print shell buttons.

Although each collection is driven by a different country as its theme, there is a sense of the global throughout. The fabrics are from far and wide; Afonina scours countries including Japan, New Zealand, Spain, Korea, Portugal and Italy to find the highest-quality materials, depending on what the latest collection calls for.

“I grew up in Russia and I was always surrounded by a lot of history,” Afonina says. “I pay a lot of attention to history and culture and Europe is so close to us. The movies and the music, everything is inspired by that. My family is all really creative and growing up in that environment really helped. Even though I live in Australia, I still have that upbringing that’s Eastern Europe, and Albus Lumen has that sense of international aesthetic.”

Although it’s underpinned by a signature holiday-wear style, don’t expect the same look collection on collection. “Last collection was Italy and it was a sense of nostalgia. What makes Albus is that sense of escape; it’s that chic traveller that everyone desires. Everyone wants to go on holiday.”

Albus Lumen does not come cheap – pieces start at around $400 for a top and stretch to well over $1000 for evening gowns – but because of the pieces’ collectible quality and ability to move between living room and superyacht, the label has followers from the age of 20 to 60. Her mission is to create something for everyone in each collection; the starting point for an idea may be borne of specificity, but Afonina’s gift is being able to pare that back into something of timeless beauty, underpinned with elegant detail.

“There’s so much I want to do with it,” says Afonina. “I want to get into lifestyle and homewares and shoes, but I’m happy with where we’re at at the moment. There’s always something you can find in the collection; it’s just that everyday woman who appreciates quality and that simplicity of design.”

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