Prior to opening Bar Romanee, Anna Quayle – with Jim Gridas of nearby bar Barkley Johnson – was head chef at Fitzroy Town Hall Hotel. Before that she trained under acclaimed French chef Pierre Koffmann, whose now-closed London restaurant once earned three Michelin stars.
She and Gridas got the keys to a former Bakers Delight on Anderson Street in December 2019, and were raring for a May 2020 start. But after a long lockdown, during which they served takeaway specials, Bar Romanee officially opened in late 2020.
Inspiration for the bistro comes from Quayle’s experience with classic European (and specifically French) techniques, as well as her love for Victorian produce.
Start with snackier dishes – perhaps a collab baguette made by neighbouring Cobb Lane Bakery with caramelised onions and rosemary, freshly shucked oysters, or an anchovy delicately curled on a thin potato crisp.
Entrees are split evenly between veggies and meat. Think Glenora Heritage padron peppers with an anchovy emulsion, tomatoes with goat’s curd and crisp capers, yellowfin tuna with wild rice and kaffir lime, and grilled ox tongue – among others.
Larger dishes might include a free-range chicken ballotine, whole market fish with miso butter and crisp shallots, Cape Grim hanger steak with Cafe de Paris butter, or house-made spaghetti with cherry-tomato sugo. While most of the protein dishes are mainstays – in some form or other – Quayle says the produce supporting them changes constantly.
The wine list leans less towards biodynamic new-wave drops and more towards classic European bottles, with a 100-strong mix of bottles imported and sourced locally. Like the menu, by-the-glass pours change daily.
Cocktails also come and go, but the Romanee Spritz – with Lillet Rosé aperitif, the peachy creme de peche and sparkling wine topped with white peach – is a constant. There are also Seedlip mocktails, and a range of beers and ciders.
They’re all made at the glossy emerald-marble-topped bar, complemented by the plush teal velvet booths and pops of green throughout the space. The white-brick walls are covered in wine bottles and vintage-look posters that further emphasise the Euro influence.