In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter

In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
In the Galleries: 12 Art Exhibitions To See in Melbourne in Winter
Among the highlights of the June through August art calendar: previously unseen Cartier jewels worn by Elizabeth Taylor and Rihanna, a legendary photographer at Heide and a major show dedicated to the gum tree.

· Updated on 16 Jul 2026 · Published on 16 Jun 2026

Installation view, Ben Mazey: If You Can’t See This You Might Be Dead or Just Not There, 2026 | Photo: Courtesy of C Gallery

Installation view, Ben Mazey: If You Can’t See This You Might Be Dead or Just Not There, 2026 | Photo: Courtesy of C Gallery

Ben Mazey: If You Can’t See This You Might Be Dead or Just Not There at C Gallery

Named Vogue Living’s 2026 Collectable Designer of the Year, Ben Mazey is one of Australia’s most sought-after contemporary artists right now. In his latest solo exhibition at C Gallery, ceramic curtains, looping ribbons, fluted mirrors, sconces, totem-like sculptures and wonky vases fill the room, all in Mazey’s signature rippling style. His works transform familiar household objects into playful, cartoonish forms resembling the textures of fabric. In this show, Mazey exhibits wax-cast bronze pieces made at his recent residency at Milan’s Fonderia Artistica Battaglia – one of the oldest and most prestigious artistic bronze foundries in the world. Plus, see his first foray into terracotta.

Until July 16. Free.

Gideon Appah, Beyond the Shadows, 2025 | Photo: Courtesy Gideon Appah/Pace Gallery

Gideon Appah, Beyond the Shadows, 2025 | Photo: Courtesy Gideon Appah/Pace Gallery

Are You Lonely Tonight? I’m So Lonesome I Could Cry at ACCA

Between our endless doomscrolling, remote work and bed rotting, feelings of loneliness have become a defining feature of contemporary life. That’s the starting point for ACCA’s new group exhibition, marking the launch of the museum’s Art and Emotion series that explores different emotional states. See new commissions and past work from 11 Australian and international artists including prolific contemporary artists Polly Borland and Patrick Pound and acclaimed actress and visual artist Lucy Liu. Paintings, sculpture, installation and video examine loneliness in all its forms, from the quietly personal to the absurd to the political.

Until August 30. Free.

Installation view, Cartier, 2026 | Photo: Michael Gardenia

Installation view, Cartier, 2026 | Photo: Michael Gardenia

Cartier at the NGV

Nearly 400 rare jewels land in Melbourne for Cartier, the NGV’s new winter blockbuster. Fresh from a celebrated run at London’s Victoria and Albert Museum, the exhibition charts the French company’s rise from a small Parisian atelier to one of the world’s most influential jewellery houses. Take a look at archival sketches, rare photographs and 300 designs never before shown in Australia. Among the highlights is the Scroll tiara, worn by Queen Elizabeth II and Rihanna; Elizabeth Taylor’s famous ruby necklace; the extravagant Patiala necklace; and other gems revealing the maison’s enduring ties to royalty, celebrity and power.

Until October 4. $19–$43.

XX at Neon Parc

One of Melbourne’s most celebrated commercial art galleries, Neon Parc marks 20 years with XX, a group exhibition drawing together key names from its history. Among them are Archibald Prize finalist Darren Sylvester and contemporary giant Dale Frank, alongside respected names like Nabilah Nordin, Diena Georgetti and Maria Kozic. The show is also a quiet tribute to late artists David McDiarmid and Damiano Bertoli, while spotlighting a new generation of voices shaping Australian contemporary art.

Until July 25. Free.

Hans Heysen, Red hills of Aroona, Flinders Ranges, 1933 | Photo: Courtesy of Hans Heysen

Hans Heysen, Red hills of Aroona, Flinders Ranges, 1933 | Photo: Courtesy of Hans Heysen

Ngarn Wa’ngal: Art of the Gum Tree at the Potter Museum

Few things feel more distinctly Australian than the gum tree. Their peeling bark, bursts of blossom and showers of falling gumnuts have long inspired artists. Now they take centrestage in Ngarn Wa’ngal: Art of the Gum Tree at the Potter Museum. Drawing from the institution’s colonial and 20th-century collections alongside five new commissions, the show traces the cultural, ecological and artistic significance of one of the country’s most recognisable native species. There’ll be works from the Wynne Prize and Telstra Art Award winner Gaypalani Waṉambi alongside some of Australia’s most significant 20th-century painters like Arthur Boyd, Albert Namatjira and Grace Cossington Smith.

Until November 21. Free.

Glenn Barkley, Arcadia, 2025 | Photo: Courtesy of Sullivan & Strumpf/Phillip Huynh

Glenn Barkley, Arcadia, 2025 | Photo: Courtesy of Sullivan & Strumpf/Phillip Huynh

Glenn Barkley: Arcadia at Sullivan & Strumpf

Like small mythical forest creatures, Glenn Barkley’s sculptures in this new solo show rethink the idea of the monument. Figures lean, stretch and teeter off balance, their proportions slightly exaggerated and their surfaces built up with scraggly texture and bursts of colour. A departure from his signature colourful vessels, Arcadia presents a new body of figurative work, some at a towering scale. A former curator at the Museum of Contemporary Art Australia, Barkley draws on deep knowledge of art history to create works that favour humour, material play and a rejection of grandeur.

Until July 11. Free.

Installation view, Shireen Taweel: Pacing Seven Circles, 2026 | Photo: Courtesy of Mosman Gallery/Jacqui Manning

Installation view, Shireen Taweel: Pacing Seven Circles, 2026 | Photo: Courtesy of Mosman Gallery/Jacqui Manning

Shireen Taweel: Pacing Seven Circles at Gertrude Contemporary

Seven intricately pierced copper sculptures sit against a backdrop of bold red curtains. Ramsay Art Prize finalist Shireen Taweel’s new solo exhibition, Pacing Seven Circles, explores sacred architecture and cosmology, inspired by Taweel’s experiences at a mosque in Dubbo. Currently a resident artist at The Clothing Store Artist Studios at Sydney’s Carriageworks, Taweel asks questions of migration, belonging and shared cultural memory.

Until August 8. Free.

Installation view, John Perceval: All That We Are, Heide Museum of Modern Art | Photo: Courtesy of Heide/Clytie Meredith

Installation view, John Perceval: All That We Are, Heide Museum of Modern Art | Photo: Courtesy of Heide/Clytie Meredith

John Perceval: All That We Are at Heide

Here’s a rare chance to know one of Australia’s most respected artists a little better in this career-spanning survey of John Perceval’s work. A painter who helped shape Australian modernism, Perceval was a key figure in the Heide Circle, an influential group of Australian creatives associated with patrons John and Sunday Reed. Featuring around 100 works from public and private collections, the exhibition includes 28 of Perceval’s playful and mischievous angel sculptures from the 1950s and ’60s. You’ll also find Railway by Night (The State Theatre), painted during the Second World War when Melbourne’s nightlife was transformed by the arrival of US troops.

Until July 21. $17–$27.

Jahkarli Felicitas Romanis photograph of Ancestral lands on Pitta Pitta Country | Photo: Courtesy of NGV

Jahkarli Felicitas Romanis photograph of Ancestral lands on Pitta Pitta Country | Photo: Courtesy of NGV

Future Country at NGV

Last year, Country Road teamed up with the NGV for Future Country, a national mentorship program pairing eight emerging First Nations artists with established names. Now in its second year, mentors include celebrated glass artist Yhonnie Scarce, alongside other leading contemporary artists Karla Dickens, Megan Cope and Brook Andrew. The initiative is all about sharing knowledge and creating artistic and professional growth. In this exhibition, you’ll see photography, sculpture and textile artworks from a new wave of First Nations talent.

Until September 13. Free.

Brassaï, Couple d'amoureux dans un petit café parisien, 1932 | Photo: Courtesy of Estate Brassai

Brassaï, Couple d'amoureux dans un petit café parisien, 1932 | Photo: Courtesy of Estate Brassai

Brassaï: Secret Paris at Heide

Be transported to 1930s Parisian nightlife in Heide’s exhibition dedicated to legendary Hungarian French photographer Brassaï. More than 150 original vintage prints capture the French capital’s smoky bars, quiet street corners and creative inner circles in Brassaï’s signature black and white shadowy style. Along the way, familiar faces such as Salvador Dalí, Pablo Picasso, Henri Matisse and Alberto Giacometti make appearances, offering a window into one of the most influential artistic communities of the 20th century.

From July 25 to November 15. $17-$27

Installation view of The Offbeat Sari at Bunjil Place Gallery, 2026 | Photo: Courtesy of Bunjil Place Gallery/Christian Capurro

Installation view of The Offbeat Sari at Bunjil Place Gallery, 2026 | Photo: Courtesy of Bunjil Place Gallery/Christian Capurro

The Offbeat Sari at Bunjil Place

A symbol of identity, resistance, pride and style, the sari is both an everyday outfit and a recurring inspiration for contemporary fashion designers. This exhibition – which first showed at London’s Design Museum in 2023 – brings together 54 contemporary saris, tracing the evolution and significance of the traditional Indian garment. There are designs from trailblazing Indian designers such as Sabyasachi, Tarun Tahiliani and Raw Mango, showcasing experiments with different materials, like denim and foil jersey. See a sari worn by Lady Gaga in 2010 and another worn by Deepika Padukone at Cannes Film Festival in 2022.

Until August 30. Free.

Davida Allen, Baby, 1989 | Photo: Courtesy of NGV

Davida Allen, Baby, 1989 | Photo: Courtesy of NGV

MOTHER: Stories from the NGV Collection

There’s an ornate ceramic vessel in the NGV’s MOTHER display. It’s a very fancy baby bottle from 18th-century England – one of 200 works connected to motherhood drawn from the gallery’s collection. The show explores loss, trauma, religious iconography and storytelling between a mother and child. There’s David Hockney’s collage of his aging mother, a bronze sculpture by Tracey Emin, and pieces from some of Australia’s foremost artists, including Patricia Piccinini’s Nest motorbike sculpture.

Until July 12. Free.

Past exhibitions:

Julius von Bismarck: This is not the storm at ACCA

He’s made slow-motion films in hurricanes and wildfires. He’s taken a whip to ocean waves and monuments around the world. He almost died for his art, once at sea and another time when lightning hit his car. German artist Julius von Bismarck likes to play with awe and terror in how we perceive the natural world (and whether or not that word “nature” is even appropriate for our shared environment). This ACCA exhibition – his first major Australian solo show – charts two decades of his art, from photography and video works to kinetic sculptures.

Closed June 14. Free.

Kate Tucker Fragment, Unknown at Daine Singer

Kate Tucker’s artworks contain multitudes. The Melbourne-based Archibald finalist’s paintings are like sculptures – sometimes mounted on tiles or bricks and arranged like patchworked fabric. And her intricate and distinct steel and clay sculptures are like paintings – with layers of pastel paint reminiscent of cake frosting. Her latest solo exhibition is inspired by tiny fragments of historical glassware she saw at the Victoria and Albert Museum in London.

Closed April 18. Free.

A velvet ant, a flower and a bird at the Potter Museum of Art

Ants, flowers and birds are pretty smart, says the University of Melbourne. That’s why they’re named in the title of this exhibition, featuring works from the institution’s classics, biology and art collections, alongside new commissions. See work from Naomi Hobson, who won the Work on Paper Award at the 2025 Telstra National Aboriginal and Torres Strait Islander Art Awards. There are also pieces from a mix of major international figures, such as Salvador Dalí and Joan Jones, as well as influential Australian names like Inge King, David Noonan, Taloi Havini and Brent Harris. Each object or artwork sparks a conversation about what it means to be intelligent, and how that trait is not unique to humans.

Closed June 6. Free.

Order Up: A City Fed by Many Cultures at the Immigration Museum

You’ve heard it a thousand times: Melbourne is Australia’s food capital. Now the Immigration Museum is pulling back the curtain on the people, places and history that have earnt the city this title. With two immersive videos and a collection of dockets from 33 of Melbourne’s most iconic eateries, the exhibition delves into the stories, codes and cultural influences behind the kitchens that define the city’s dining scene.

Closed May 10. $15.

Kate Wallace Between Trees at Lon Gallery

Often working with oil on miniature canvases, Kate Wallace invites viewers to step closer to see into her intricate, atmospheric paintings. The Melbourne-based artist likes to explore things she remembers, sometimes informed by photos she’s taken in serene moments or when she’s travelling, such as the view from an aeroplane window or peering inside a fish tank. Wallace plays with blurring the image, nodding to limitations of memory. She’ll present new works in this solo exhibition at Lon Gallery.

Closed May 23. Free.

TarraWarra International 2026: System Release

The world feels chaotic right now, which is one of the starting points for the 10 artists featured in this major exhibition at destination gallery TarraWarra Museum of Art in Healesville. It’s the first time the gallery has hosted its International Art Series since 2019.

Aboriginal and ni-Vanautu artist Daniel Boyd – one of Australia’s leading contemporary painters – creates a perforated window vinyl, literally and symbolically disrupting perception. Megan Cope uses oyster shells in her sculptural installations to refer to the middens of Minjerribah/North Stradbroke Island. And Mexican artist José Dávila presents a major new sculpture.

Until July 5. $12–$18.

Westwood | Kawakubo at the NGV

Carrie Bradshaw’s iconic wedding gown. Rihanna’s 2017 Met Gala look. Charli xcx’s Hackney Town Hall wedding dress. Between them, Vivienne Westwood and Rei Kawakubo of Comme des Garcons have established themselves as two of the most influential and radical designers of the 21st century. Now, in a world first, some of their most famous works have been brought together for the NGV’s blockbuster, Westwood | Kawakubo, an exhibition presenting more than 140 pieces from their respective archives.

Closed April 19. $40 for non-NGV members.

Hany Armanious: Stone Soup at Buxton Contemporary

A peeled orange, a lump of Blu Tack, a crumpled water bottle: this is not rubbish. In Hany Armanious’s show Stone Soup, the acclaimed Egyptian Australian artist brings a renewed focus to the things we often discard. Meticulously re-created in resin, these hyperreal sculptures prompt a pause, inviting viewers to reconsider the value of the ordinary.

Closed April 11. Free.

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