There’s something not quite right here. The light is almost convincing enough – the warm afternoon sun and dappled shadows dancing amid the dense, twists and knots of leaves and foliage. But even then, there’s something ever so slightly askew. Perhaps it's the colours; the greens just that tad too inorganic. Or perhaps it’s leaves; their edges just that tiny bit too clean.

Even with the benefit of background and context, the monumentally scaled photographs of Thomas Demand induce a kind of quiet, speculative sense of surprise and unease. That the vistas, interiors, machinery and various other objects and scenes that score the German artist’s photographs are in fact meticulously constructed paper sculptures – made, quite remarkably, to scale in his studio before their eventual, post-photograph destruction – transports his work to a whole new plane.